"Can a bird make sense of a tree?"
April echoes of vibrant cardinal song
turns me around and around, looking
from branch to branch and all along
each limb to its winding ending.
I hear, but cannot see the bird
whose voice seems everywhere around
until, like seeking a hidden word,
a spot of red turns into what I've found.
Cardinal himself, unmistakable when turned
tufted head and stable tail behind;
so obvious once seen, you've just discerned
how you're looking at what you'll soon find.
Now the blue black muddled field of view
is all revolving around a speck of red,
into a turning whirl of growth twining through
a searching thought, mulling on 'til you have said
"I've got it!" There the source of jubilant song
leaps out of invisibility to sight.
Tomorrow morning, our voices singing strong,
we'll take our joy as dawn takes over night;
the sight of an empty tomb opening up
the turning of all around, like clouds in a cup,
the song of Easter a clarifying word,
like the flash of red reveals a singing bird.
Monday, April 13, 2009
Saturday, April 11, 2009
Movement, Slowly
The moon got caught this morning
between a chimney and angled roofline,
wedged tight from my kitchen window.
As i filled my coffee pot,
I could see the motion of the moon,
sinking to the right, the gauge
of angles fitting so close
that the movement of the moon
was actually perceptible.
Long ago in German class, the shadow
of the sun and window across
the floor before me, and
the slowness of time
conjugating verbs
meant i realized that i could see
the movement of the sun
(if not by looking right at it).
It's a funny thing, because i knew
that the heavens turn,
or rather the earth,
but either way the sun did not stay still.
I knew this, but i did not
Know It.
And then i did, slowing myself down
(with the help of those verbs)
to feel the motion of something so slow.
I've watched many sunrises and sunsets
since then, and caught the motion
of the skies at work, steady and sure;
more strangely, i've watched moonrises
and seen it rise further,
looking more directly and safely.
But moonsets never that I can recall
across some fifty years, until this am.
There is an insightful thrill
even still
to actually perceive that motion from the sky,
to see the slowness,
and realize their speed has been and is and shall be
so the only thing slowing down
is me . . .
and it's about time.
between a chimney and angled roofline,
wedged tight from my kitchen window.
As i filled my coffee pot,
I could see the motion of the moon,
sinking to the right, the gauge
of angles fitting so close
that the movement of the moon
was actually perceptible.
Long ago in German class, the shadow
of the sun and window across
the floor before me, and
the slowness of time
conjugating verbs
meant i realized that i could see
the movement of the sun
(if not by looking right at it).
It's a funny thing, because i knew
that the heavens turn,
or rather the earth,
but either way the sun did not stay still.
I knew this, but i did not
Know It.
And then i did, slowing myself down
(with the help of those verbs)
to feel the motion of something so slow.
I've watched many sunrises and sunsets
since then, and caught the motion
of the skies at work, steady and sure;
more strangely, i've watched moonrises
and seen it rise further,
looking more directly and safely.
But moonsets never that I can recall
across some fifty years, until this am.
There is an insightful thrill
even still
to actually perceive that motion from the sky,
to see the slowness,
and realize their speed has been and is and shall be
so the only thing slowing down
is me . . .
and it's about time.
Fri., Apr. 10
There are more crosses each year
to carry up the hill
they come out into the open
being carried all the months before
without finding expression in wood and nails.
The fact of the heavy, central cross
the knowledge it will be brought out
and carried through the streets,
put up on display, sung around
as its story is told --
frees up the choice to hammer out
other crosses into sight and life,
to scrabble together scrap wood
or roughened timbers
as you pull the raw materials out
of your aching, bleeding days
and boldly intersect your sorrow
and your hope, shouldering
that weight out in front of all,
whether friendly fellow burden bearers,
or mystified onlookers, the sort
you've carried your cross past
for so long.
More crosses, unexpected, unplanned,
but multiplying into visibility
so we all can think about the many crosses
not yet seen, but no less carried,
up hills like this
and along longer roads
than even Broadway or Main.
to carry up the hill
they come out into the open
being carried all the months before
without finding expression in wood and nails.
The fact of the heavy, central cross
the knowledge it will be brought out
and carried through the streets,
put up on display, sung around
as its story is told --
frees up the choice to hammer out
other crosses into sight and life,
to scrabble together scrap wood
or roughened timbers
as you pull the raw materials out
of your aching, bleeding days
and boldly intersect your sorrow
and your hope, shouldering
that weight out in front of all,
whether friendly fellow burden bearers,
or mystified onlookers, the sort
you've carried your cross past
for so long.
More crosses, unexpected, unplanned,
but multiplying into visibility
so we all can think about the many crosses
not yet seen, but no less carried,
up hills like this
and along longer roads
than even Broadway or Main.
Thur., Apr. 9
Set the table
pour the wine
open the doors
sing beyond them
a greeting song
a welcoming tale
inviting in all;
some are able
others may not,
but do not judge
their walking past
their fearful looks
their regrets pushing
their paths away.
Why don't all enter?
So many reasons
enough for each
waiting to hear
words of welcome
that light upon
their flinching heart
which may require
three, five, seven times
delivered with love
to accept as theirs.
Set the table
pour the wine
open the doors
truly welcome in
those you've called
and learn what that offer
really means
when it's really made.
pour the wine
open the doors
sing beyond them
a greeting song
a welcoming tale
inviting in all;
some are able
others may not,
but do not judge
their walking past
their fearful looks
their regrets pushing
their paths away.
Why don't all enter?
So many reasons
enough for each
waiting to hear
words of welcome
that light upon
their flinching heart
which may require
three, five, seven times
delivered with love
to accept as theirs.
Set the table
pour the wine
open the doors
truly welcome in
those you've called
and learn what that offer
really means
when it's really made.
Wednesday, April 8, 2009
Wed., Apr. 8
Creation begins again here today
that's what some traditions will say;
all i know is that light continues to play
on a stretch of wall where it will not long stay.
From bed, the mornings grow all the more bright
and trying to sleep well, the ending of night
presses sunrise into my squeezed tightly closed sight
with dawn moving northwards, expanding the light.
If the world began on a day just like this
you feel the rightness of sweet springtime bliss
with beginning and starting and a quiet morning kiss,
a dawning renewal i'd not want to miss.
that's what some traditions will say;
all i know is that light continues to play
on a stretch of wall where it will not long stay.
From bed, the mornings grow all the more bright
and trying to sleep well, the ending of night
presses sunrise into my squeezed tightly closed sight
with dawn moving northwards, expanding the light.
If the world began on a day just like this
you feel the rightness of sweet springtime bliss
with beginning and starting and a quiet morning kiss,
a dawning renewal i'd not want to miss.
Tuesday, April 7, 2009
April Can't Quite Conquer
Willows explode and spray down in yellow
while blossoms reach up in white cupped splashes.
Snow slants across the field of view, from where
to when we do not know, and cannot see
the source or destination. Just a screen
beyond which the slow motion spread of life
fills the frame, where our eyes seek out the light
of dawn, development, and hints of death,
left over from the winter kills now past.
Falling snowflakes still are water, soaking
the soil now frozen, now sodden, then mud,
where sudden growth squirts up as moisture drops,
moss and mucky shoots and starts, oozing green
under late spring lowering skies, darkly
surging from western storms into eastern
sunrises that come earlier each day.
while blossoms reach up in white cupped splashes.
Snow slants across the field of view, from where
to when we do not know, and cannot see
the source or destination. Just a screen
beyond which the slow motion spread of life
fills the frame, where our eyes seek out the light
of dawn, development, and hints of death,
left over from the winter kills now past.
Falling snowflakes still are water, soaking
the soil now frozen, now sodden, then mud,
where sudden growth squirts up as moisture drops,
moss and mucky shoots and starts, oozing green
under late spring lowering skies, darkly
surging from western storms into eastern
sunrises that come earlier each day.
Tues., Apr. 7
It's the idea of an earthquake
the shakes your world,
more so when it happens.
If the ground beneath your feet can move,
what is solid, then?
What is secure?
The buildings answer,
shaking down the unquestioned ceilings,
collapsing assumed walls,
heaving the certain floors
up as much as down,
mostly sideways.
After an earthquake, the shaking stops
but the world still turns,
leaving the spot it should have stayed
passing the point of perspective
and keeping going past the place
where you could count on holding strongly
to a secure position.
Clouds pass east while the sun goes west,
and if you watch closely enough,
they shred and whisper away in your sight,
unless the air itself is shaking,
rumbling away the most peaceful silence
into a sky shattering thunderclap,
an earthquake of the heavens.
Then night falls (or rises)
and the clouds shred away
and the fixed stars slowly turn --
those that don't flare
into sudden collapse themselves.
So the earth's as solid as it gets,
except when it isn't,
and that's certainly how it is.
the shakes your world,
more so when it happens.
If the ground beneath your feet can move,
what is solid, then?
What is secure?
The buildings answer,
shaking down the unquestioned ceilings,
collapsing assumed walls,
heaving the certain floors
up as much as down,
mostly sideways.
After an earthquake, the shaking stops
but the world still turns,
leaving the spot it should have stayed
passing the point of perspective
and keeping going past the place
where you could count on holding strongly
to a secure position.
Clouds pass east while the sun goes west,
and if you watch closely enough,
they shred and whisper away in your sight,
unless the air itself is shaking,
rumbling away the most peaceful silence
into a sky shattering thunderclap,
an earthquake of the heavens.
Then night falls (or rises)
and the clouds shred away
and the fixed stars slowly turn --
those that don't flare
into sudden collapse themselves.
So the earth's as solid as it gets,
except when it isn't,
and that's certainly how it is.
Subscribe to:
Posts (Atom)